Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

In August, Fernway released their latest single, entitled “Half-Life.” The single follows their EP, “An Ache for Distant Places,” which they released in 2018.

Fernway is made up of band members RJ DeMarco on guitar/lead vocals, Jonah Wrest on guitar and textures, Brett Robertson on guitar, Alec Dube on bass, and Tanner DeMarco on drums. They’re inspired by bands such as Young the Giant, Explosions In The Sky, Pentimento, The Foo Fighters, I the Mighty, and The 1975.

Fernway performs
Fernway performing at The North Pole Strip Club in Fredonia, NY, on 8/31/19
Photo by Chelsea Dufresne

With this new song, as with their past music, you can hear these influences very clearly. The new single specifically has soulful vocals from DeMarco like you would find with Pentimento and I the Mighty, and the instrumentals that take over almost spiritually and delicately like they do with Explosions In The Sky’s work.

Half-Life single art
“Half-Life” single cover art
Art by Marissa Carroll

The music video for the single takes place outdoors, starting with an ocean scene but leading into scenes in a woodsy area with a lake, and when it gets dark, the group gathers around a fire holding sparklers. The video then flashes to the band members singing and playing instruments against a white background, presumably indoors somewhere. The song talks about “an ache for distance places, an ache for places I’ve never been,” and continues with the lyrics, “I think it’s time for a change in scenery, I’m staring up at the moon, losing track of the time.” This music video is very symbolic of that with the outdoor scenes. It’s showing the band’s love of adventure and seeing new surroundings, and just enjoying fun times while they can.

The single is an anthem that expresses the want to be carefree, but also has this element of mental health discussion where it shows we all need that break sometimes before we completely lose it. “I think I’m losing myself to soothe my mind,” lead singer RJ DeMarco belts, and to be honest, I’ve never related to anything more.

You can download and stream the single, “Half-Life” by Fernway, on Spotify, Apple Music, Amazon Music, Google Play, as well as other music-streaming platforms. Keep up-to-date with the band on their Facebook page, their Twitter, or on Instagram.

0
Would love your thoughts, please comment.x
()
x