Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

On Tuesday, September 24th, 2024, UPSAHL delivered an unforgettable performance at The Foundry at The Fillmore in Philadelphia, taking the audience on a dynamic musical journey with a 31-song setlist. The night unfolded in two halves, with a clear shift in tone and energy midway through. The first part was cool and moody, while the second brought a fiery intensity. Each segment showcased UPSAHL’s versatility, blending attitude, emotion, and sheer stage presence.

 

A Chilled Start Dressed in blue under icy lighting, UPSAHL set a cool, reflective tone right from the beginning. Opening with “Tears On The Dancefloor,” she quickly had the crowd moving with her infectious energy. Songs like “NO HANDS (SIDE A)” and “Monica Lewinsky” carried a playful vibe, while tracks like “IDFWFEELINGS” and “Wish You’d Make Me Cry” added emotional weight.

Despite the small stage, UPSAHL’s charisma filled the room. Highlights of the first half included the rebellious anthems “SMARTY” and “All My Friends Are Rich,” as well as the more introspective “Into My Body.” The blue lighting created an understated, cool atmosphere that matched the emotional depth of the set. The crowd was captivated until the final song of this section, “SLAYYYYY (SIDE B),” leaving everyone ready for more.

Turning Up the Heat After a brief pause, UPSAHL returned with a burst of energy, this time in red, and the mood shifted dramatically. The lighting switched to warmer tones, matching the intensity of songs like “Summer So Hot” and “12345SEX.” It was clear that this was the point where UPSAHL was ready to turn up the heat, and the audience was right there with her.

Her cover of the Yeah Yeah Yeahs’ “Heads Will Roll” was a standout, with the crowd singing along and matching her energy. A heartfelt moment came when UPSAHL’s sister, Ryan, joined her onstage for “Arizona” just after the crowd sang “Happy Birthday” to her.

The second half continued to escalate with high-energy tracks like “Cut Em Off” and “Good in Bed,” while her bold performance of “Drugs” and “Lunatic” closed out the main set with a bang.

 

Encore: A Perfect Finale For the encore, UPSAHL came back with fan favorites “People I Don’t Like” and “Sad Sorry After Party,” wrapping up the night on a high note. Her final moments on stage were filled with gratitude, as she connected with the audience one last time, delivering a fitting end to a show full of energy and emotion.

 

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