Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

Musical innovation is a thing of the past.  Yes, you read that right.  All the songs in today’s musical landscape have been borrowed, recycled, or reimagined – and I do not mean that as a knock.  Did you really think Elvis discovered rock and roll?  Of course not.  Bill Haley had already recorded rock and roll songs.  He may have borrowed from Chuck Berry and Little Richard.  They borrowed influences from the blues and country music – and the chain goes on and on.  Elvis just chased the trend, had the right look, the right moves, and was in the right place at the right time.  Your favorite artists have been doing the same exact thing for years – whether it’s a look, a chord progression, or an attitude.  Spotting an influence is sometimes as easy as a sticker on a guitar.  Other times, it is as obscure as a single chord, as is the case of Joey Santiago of The Pixies and the “Hendrix Chord.”  Diving into a band’s musical influences not only gives you better appreciation for an artist, but may also turn you on to some great classic music.  I am going to kick off this monthly segment with one of today’s top alternative artists, Green Day.  They may be the masters of three-chord power-pop, but they didn’t invent it.  Below are three artists who have influenced Green Day.  Two have been acknowledged by the band and the third is an observation of my own.  Do your homework, expand your palate, and take a listen.  There is a good chance you’re gonna like what you hear.

The Ramones – These four degenerates didn’t start off wanting to be the kings of the NY Punk scene, they wanted to be the next Bay City Rollers.  That’s right.  S-A-T-U-R-D-A-Y Night!  Radio airplay would not come easily though, with songs titles like “Beat on the Brat” and “Now I Wanna Sniff Some Glue.”  Regardless, the pop sensibilities of Dee Dee’s songwriting and Johnny’s buzz-saw, three-chord guitar anthems created the modern-day pop-punk genre.  If you think that the early punks didn’t take their craft seriously, you have the wrong impression.  Billie Joe Armstrong had the privilege of playing during The Ramones Rock and Roll Hall of Fame induction, and Johnny scolded him for playing sloppy.  Don’t mess with Johnny.

https://youtu.be/ZLlLtSG7xe4

 

Cheap Trick – This Chicago quartet ruled the power-pop airways in the 70s and 80s.  Crunching power chords coupled with Rabin Zander’s melodious vocals created a dirty and sexy combo that spawned hits like “I Want You to Want Me” and “Dream Police.”  Billie Joe has stated in interviews that he loves Cheap Trick, so it’s no surprise on the similarities.  Green Day likes to take what they love and stretch it to the next level to see what it becomes.  Cheap Trick was a strong foundation for their sound.

 

The Replacements – Yes, I know that Green Day has already confirmed The Replacements as an influence.  But that was for chord progressions, not lyrics.  Paul Westerberg revolutionized the teenage anthem during the 80s punk scene with songs like “Bastards of Young.”  Where many of punk bands were writing about oppression, The Replacements were singing about the heartbreak of going nowhere.  Ringing true in Green Day songs like “Welcome to Paradise,” you can hear Westerberg’s influence.  The Replacements lived and died on their own terms, often burning their own bridges to fame.  Green Day took their recklessness and harnessed it to stardom.

0
Would love your thoughts, please comment.x
()
x