Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

Flashback to summer 2015.

Me, sitting on a Thalys train heading from Paris to Düsseldorf. Early morning sunlight glittering through the sporadic bushes and trees lining the tracks that cut through the French countryside of flowers and farmland.

My earbuds were in and my music was on shuffle. On came Trails and Ways’ “Skeletons”, an impulse download that I’d never really listed to until that moment. Yet this memory would come to serve as the perfect way to define the sound of their 2015 album Pathology: the soundtrack to an adventure through selcouth places and foreign soil.

Today came with the release of Trails and Ways’ new album Own It. As soon as I heard the first chords of track one, I breathed a sigh of relief that their music still invoked the same feeling of wonder in me as it did back on that European train ride. Not to say they didn’t switch things up, because this album has a very more relaxed vibe. When one closes their eyes and listens to the sun-soaked guitar stums of “How Do I Turn”, a beachy, Spanish paradise comes to mind. However, the introspective lyrics have a kind of gravity that seems to contradict the overall carefree tone of the music, asking “Could you teach me to live without my things? How do I do it? How do I do it?”

This phenomenon of simplicity contrasting with soul-searching internal struggle fits perfectly with the message the band is trying to convey: that they believe in a need for a fight against capitalism, as they expressed on Twitter.

“Intuition”, one of the more upbeat songs of the album, features interesting synths while still maintaining the aforementioned feeling of a desire for the absense of c. The trance of clever music and reflective lyricism makes for a song not to skip.

Overall, Own It garners 4/5 stars. Trails and Ways is a band that you don’t want to miss out on. Listen to the album here:

Bandcamp: https://trailsandways.bandcamp.com/album/own-it

iTunes: https://itunes.apple.com/us/album/own-it/id1159117867?app=itunes

Spotify: https://open.spotify.com/album/0HJih0xzFPfLmkXk822xSF

 

0
Would love your thoughts, please comment.x
()
x