Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

On June 12th in Philadelphia, Bleachers took the stage at the historic Metropolitan Opera House, setting the scene for an electrifying night of alternative rock. Jack Antonoff, the creative force behind Bleachers, made a memorable entrance, taking a moment to absorb the grandeur of the venue before diving into a setlist that spanned the band’s discography.

As the lights dimmed and anticipation swelled, the opening chords of “I Am Right on Time” filled the air, setting the tone for a journey through Bleachers’ unique blend of introspective lyrics and infectious melodies. From the anthemic “Modern Girl” to the poignant “Jesus Is Dead,” each song resonated with the crowd, showcasing Antonoff’s knack for crafting deeply personal yet universally relatable music.

Joined on stage by Ricky Antonoff for “How Dare You Want More,” the energy intensified with each passing song. Tracks like “Everybody Lost Somebody” and “Goodmorning” kept the momentum alive, drawing the audience into a collective trance of nostalgia and raw emotion.

Throughout the night, Bleachers effortlessly shifted between upbeat anthems like “Don’t Go Dark” and introspective ballads such as “Ordinary Heaven,” creating a dynamic rollercoaster of sound and sentiment. The intimate acoustic rendition of “Dream of Mickey Mantle” provided a brief respite, highlighting Antonoff’s versatility as both a songwriter and performer.

The crescendo of the evening came with the infectious beats of “I Wanna Get Better” and “Don’t Take the Money,” driving the crowd into a frenzy of dancing and singing along. Closing out the night with “Stop Making This Hurt,” Bleachers left an indelible mark on everyone present, a testament to their ability to connect deeply through music.

 

As I reflect on the concert, it’s clear that Bleachers not only delivered a stellar performance but also created a shared experience that transcended the confines of The Met. Jack Antonoff’s passion and authenticity shone through every song, reminding us all why Bleachers continues to be a powerhouse in the alternative rock scene.

Setlist:

  1. I Am Right on Time
  2. Modern Girl
  3. Jesus Is Dead
  4. How Dare You Want More (with Ricky Antonoff)
  5. Wake Me
  6. Everybody Lost Somebody
  7. Goodmorning
  8. I Miss Those Days
  9. Call Me After Midnight
  10. Me Before You
  11. Chinatown
  12. Don’t Go Dark
  13. Self Respect
  14. Wild Heart
  15. Rollercoaster
  16. Let’s Get Married
  17. 91
  18. Dream of Mickey Mantle (Acoustic)
  19. Ordinary Heaven
  20. Tiny Moves
  21. I Wanna Get Better
  22. Don’t Take the Money
  23. Stop Making This Hurt

Bleachers at The Met was more than just a concert; it was a testament to the enduring power of music to unite and inspire.

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