Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

LA band, Dorothy, performed at the Theatre of the Living Arts in Philly on Saturday, January 13 during their Freedom Tour that kicked off earlier this month. Throughout this tour, they’ve been choosing different local bands for each stop. For Philly, it was the band In Our Glory, who is seemingly influenced by alternative, punk, and hard rock with members from New Jersey and Fishtown. Throughout their set, they strove to hype up the audience with their mainly heated, raging songs and continuous vocal encouragement. A lot of what they played consisted of heavy instrumentation, accompanied by belting (and occasionally screaming) vocals. An exception was the somewhat slowed-down “Cheap Shot” that the lead singer described as being very important to them, as it’s a heartfelt song that the band wrote together.

        

Dorothy came out and started off their set with a few new songs that will be included on their upcoming album, “28 Days In The Valley” (release date to be announced).  Many of the new songs that they performed sounded a bit more slowed down than most of what they’ve already released, but they have the same driven soulfulness that comes the band’s bluesy rock instrumentation and Dorothy Martin’s insanely strong and passionate vocals. They even introduced a song called “Philadelphia,” and of course included a number of their more well-known tracks that the audience could easily jam and belt along to.

        

Leading into one of their new songs, “Black Tar and Nicotine,” Martin explained the meaning behind it by discussing addiction. She mentioned her own personal experience and encouraged the audience to both reach out to addicts and speak out as addicts. She also expressed her hope for society’s better education on the subject, in schools in particular. It was a heartfelt moment that didn’t dampen the atmosphere, but offered a time of sincerity both to add context to the following song and to use that context for the spreading of awareness that’s deeply needed. All in all, Dorothy is a powerful rock band whose skills in both creating and performing quality music seem unwavering. The band has a great, raw tone both instrumentally and vocally while performing live that can be missed out on when listening to the studio recordings, so seeing them live is an experience that any fan of Dorothy should have. The Freedom Tour continues until almost mid-March, so take the opportunity to go see them if you can!

Tour dates & tickets: http://dorothytheband.com/tour/

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