Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

On Wednesday, November 8, Evanescence performed with an orchestra at The Hippodrome Theatre in Baltimore. The band is touring to promote their latest album, Synthesis, which was released November 10 via BMG. The album includes their songs featuring a full orchestra, so for the tour, they wanted to include that factor.

Each show, the band works hard before show time to practice with each new orchestra. For the show in Baltimore, the Orchestra aided as an opening act for the band, before performing with the actual band themselves.

The show cast an elegance on the band. Not to say they were not elegant before, but Evanescence as a group has always appealed to a certain rock/metal demographic. One working volunteer at The Hippodrome Theatre heard attendees describing the group as “soft-metal,” as opposed to the group’s definition (according to their Facebook page) as “rock.” However, with this show/tour, they switch it up to appeal to other-genre lovers with a more-classical taste in music, or concert goers that aren’t as into rock, with the aide of the orchestra. One attendee mentioned that he was not an avid listener to the genre and group, but tagged along after his friends said the show was at The Hippodrome Theatre. The band’s choice of venues this tour is definitely bringing in a wider range of fans, as this case proves.

The orchestra helped create a new spin on well-known hits “Bring Me to Life” and “My Immortal,” leaving the audience in awe of the smooth blend of instruments alongside lead singer Amy Lee’s voice.

Photo by Jenna Kauffman

Compared to past tours, which had the band as it typically is studio-wise, the band in this environment seemed more vulnerable. Not only did Lee’s voice seem rawer without the heavier background instrumentals, she also inserted more dialogue into this show, as the crowd was quieter than a typical rock show would permit. Before starting “My Immortal,” Lee mentioned how the song brings a different meaning to her now than it did in the past, a happier feeling despite the song’s sad context, because it reminds her of the band’s journey. Also, jokingly between two songs, Lee showed just how different of a tour this was, saying, “I’m wearing heels; I never wear heels.”

This tour is for Evanescence lovers, but also for any music lover. While the thought would be that a band like Evanescence would have a standing, General Admission show, this tour has seats in theatres, which perhaps also brings a wider range of audience due to that accommodation. The group still has their set sound going for them, but with this new set-up, it will more than likely bring in more fans, despite their preset genre.

If interested in seeing the group on tour, their shows continue starting November 30 in Chicago, Ill. Go to www.evanescence.com for more tour dates and ticket info.

Photo by Jenna Kauffman
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