Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

My brain is in a state of perpetual motion – a state necessary to generate enough fuel to power my body’s most essential organ. My mouth. It’s impossible to quantify how many things come out of my mouth throughout the course of one day, and an attempt to do so would take the auditory equivalent of a Clockwork-Orange-style intervention. Despite my mouth’s perpetual verbal kinetics, on occasion, it has been proven possible to be tamed. A beautiful woman.  A painting. A song.  A moment so powerful that my brain shuts off, my mouth stops, and my heart is given the green light to just feel. To accept a feeling without definition. To enjoy a moment without description. Enter Lo Moon.

“Loveless” was sent to me overnight and without explanation.  Sitting in my inbox, the song stared at me like a message from a long, lost friend.  Staring back at it, I pressed play and immediately the melody started to pour over me like summer rain on a still night.  As I listened to it, I did exactly that – I listened to it.  Silently sitting without thought.  Gentle breezes of music billow in, caressing my mind and leaving a wake of goosebumps.  A pattering of raindrops fall at my feet as thunder builds slowly in the distance.  The drops grow larger and fall even faster.  By the time lightning hits, I realize I am in the middle of the storm with nowhere to hide.  I prepare myself for the downpour, just as the storm recedes revealing blue skies.  Birds chirp in delight as the sun stretches its fingers through the clouds, warming my face.  And everything seems that much more beautiful.  I hit play again.  And then again.  This continued throughout the morning.  I fell in love with “Loveless” the first time I heard it.  You always remember your first time.

Matt Lowell of Lo Moon

Lo Moon has been somewhat of an enigma – only releasing three songs in little over a year. Each song is delivered the same way – without warning.  Questions swirled around my brain. Where did these songs come from?  Where is the album?  Who is Lo Moon? As time swept on, hope for an album was about lost on me when the announcement came. Lo Moon would be coming to Philadelphia to play a small, headlining show.  Impatiently, I waited for the show to arrive, along with the other 150 people that sold out the Boot and Saddle in Philadelphia.  Imagine a scene like Field of Dreams, where  from far and wide, concert goers aimlessly walk towards a venue in a hypnotic state to the whispers of “If you play Loveless (not the edit mind you, the full 7 minute and 4 second version), they will come.”  Prior to the show, the band announced they would be playing most, if not all, of the upcoming album during the performance.  Dreams do come true.

Crisanta Baker of Lo Moon

When the moment arrived, I was front and center.  It amazes me that 150 people filled a room to see a band we know almost nothing about – except for their names.  The trio of Matt  Lowell, Crisanta Baker, and Sam Stewart, along with Sterlin Laws on drums, took the stage to a packed house and cheers.  As soon as they played the first note of “Thorns,” they had our full attention – so much so that when the song ended, Matt stared at the audience and said, “Wow, it’s silent.” Collectively, we were thunderstruck.  Words were useless.  The next song was all we wanted.  Matt revealed that this was the first time they were playing many of these songs live, as he placed lyric sheets on the floor. And then they played.

Sam Stewart of Lo Moon

Ten songs.  Ten songs of perfection.  Not a throw-away track in the lot.  At one point, I realized my eyes were closed, clenched for the entirety of “Camouflage”.  I was lost in the storm.  Bodies swayed and thoughts ceased. Matt confided that the new album would be ready in early 2018. The announcement snapped me out of my trance.  For the encore, Matt came out to perform “All In” accompanied only by the haunting melody of his keyboards.  The song stood out with its stark arrangement against Matt’s soft voice.  Afterwards, the band rejoined him for “Loveless”.  Seven minutes of pure bliss, then it was over.

No one likes endings.  Fortunately, our beautiful relationship was just beginning.  I craved the feeling Lo Moon provided me.  That’s when it hit me.  In today’s world of instant gratification, Lo Moon didn’t rush the process, taking pride in the craft.  They put forth a masterpiece, as opposed to a few tolerable singles buried in  a crate of throw-away tracks. The music wasn’t complicated by trivial facts, boring us with mentions of hobbies and interest.  This isn’t a band made for swiping left or right.  The focus was on their music.  Like any lesson in patience, good things take time and are worth the wait.  Lo Moon didn’t sleep with me on the first date.  Single roses in the form of songs were given as they courted me.  The pleasure was all in the detail.  All of these glorious moments were the buildup to our first kiss – and what a first kiss it was.  That is a great way to shut me up.

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