Bayside returned to Philly this past week for a two night stand celebrating their music both old and new. i99Radio was on the scene to capture night one of two. For the first night, Bayside brought songs from their early years, 2004 to 2008. For many of us, it takes us back instantly to the songs of our childhood, middle and high school years, and the audience spanning Gen X to Gen Alpha came ready to rock.

Long Island, NY’s The Sleeping started the night off and brought their unique blend of post-hardcore and raw energy to the stage that really got the audience going. People thrashed around and sang along, and even a toddler hopping up on his dad’s shoulders to get a better view of frontman Doug Robinson, who climbed up to the barrier, putting his microphone up to fans to sing along with them, and eventually even crowdsurfing above their heads at one point. The band has been experiencing a revival since their reunion in 2022 and their fantastic newest album, “I Feel Like I’m Becoming a Ghost”, dropping in 2023.

Bayside then took the stage, kicking off their set with the classic track, “Montauk”, from their second self-titled album. Frontman Anthony Ranieri commented how their idea for the “Errors Tour” came about when they wanted to play 44 songs in each city, instead of just 22. He talked about how the band has so many songs that fans love from all across their career, but not enough time to play them all, so they thought, “why not just play 2 nights in every city?”

The night of classic nostalgia continued on, with the band delivering high-energy versions of much loved tracks from their third album, 2007’s “The Walking Wounded”, like “Duality”, “I and I”, and the ballad “Landing Feet First” (of which started a massive audience singalong). The band also reached far back in their discography, playing tracks from their first years as a band, like “Masterpiece”, “Guardrail” and “Kellum”, off of the first album, 2004’s “Sirens and Condolences.” The audience was audibly excited by this, as these tracks are very rarely played live. The audience cheered loudly and unleashed a constant stream of crowd-surfers to the front of stage as they ripped through these classic tracks. The “newest” songs they played for night 1 were tracks from 2008’s classic album, “Shudder”, like “Boy”, “No One Understands” and “The Ghost of St. Valentine”. Again, many of these tracks haven’t been played since the Shudder Tour in 2008 so hearing these songs was certainly a treat for the audience.

Bayside’s show at Brooklyn Bowl was a testament to how the songs we grew up with are forever engrained in our DNA, the music grows with us and becomes a part of us as we grow older, but we never forget the songs that influenced us almost two decades ago. The 1,000 people in the audience who turned up to sing every word of these songs that are almost 20 years old now proves this to be true and Bayside to be a band close to so many people’s hearts.

Photos by Dave Avidan

The synth-rock sensation is back and better than ever. Wonderful Wonderful was released by the Killers on September 22 to unprecedented success. Their first LP to peak at #1 on the Billboard Hot 100, Wonderful Wonderful was also a comeback for the Killers, who hadn’t released an album since 2012’s Battle Born. Led by singles The Man and Run for Cover, the album doesn’t deviate from the Killers’ trademark pop-rock sound. However, lyrically, it draws on some personal themes; The album is mostly about frontman Brandon Flowers’s wife, Tana, her troubled childhood, and her struggle with depression.

The title track sends positive messages to her, such as “Don’t you listen to the never,” and “Keep your ear to the shell / stay on the path that leads to the well.” This encouraging lyric also appears to be the inspiration for the album art.

Of the lead single The Man, Flowers said “Sonically, it’s…funkier than we’ve ever done before. It was the last song written for the record so it doesn’t share a lot of commonality with the other songs on the album…It feels very much like The Killers but you can also hear our influences- David Bowie, Talking Heads that haven’t been as prominent in our last couple of records.” Lyrically a departure from the thread of the album, it’s the satirical story of a hotshot rockstar determined to enter the Hall of Fame, not so different from Flowers’ persona circa 2003.

Rut was written from Tana’s perspective and details her fall into deep depression. In Life to Come, Flowers assures his wife that he is there to support her through it all, whenever she needs him. The album’s second single, Run for Cover, was actually written back in 2008 for the Killers’ third record, but Flowers felt he couldn’t match the first verse until now. With political references, (“What have you gathered to report to your progenitors? / Are your excuses any better than your senator’s?”) clever rhymes (“What are you waiting for, a kiss or an apology? / You’d think by now you’d have an A in toxicology”), and pop appeal, there’s something on this track for everyone. It’s a little scatterbrained, but it’s still my favorite song on the album.

In Tyson vs. Douglas, Flowers remembers how he felt when Mike Tyson was defeated, “my whole view on the world changed. It wasn’t supposed to happen.” He compares his own childhood admiration to that of his sons- “I have a son now…And to him and his two little brothers, I am as perfect as Mike Tyson – and I don’t want to go down.”

Some Kind of Love is an intensely personal track, also about Tana’s struggles. The line “Can’t do this alone / We need you at home” is sung by a children’s choir to convey to Tana that her family needs her and believes in her. In Out of My Mind, Flowers tries and fails to impress his wife with his success.

Inspired by the Book of Matthew and a Caravaggio painting, The Calling is a peculiar song loaded with Mormon references and Christian imagery. It tells the story of a man who returns to straighten out his father.

The final track of the album, Have All the Songs Been Written, is a hidden gem that showcases the Killers’ softer, more atmospheric side. The title refers to the subject of an email Flowers sent to U2 frontman Bono when he was suffering from writer’s block. Bono told him it would make a great title. Its lyrics directly contrast The Man, as the narrator has lost his confidence and productivity. He expresses self-doubt (“Have all these years been worth it / Or am I the great regret?”) and hopes for a second chance to redeem himself (I can’t take back what I’ve done wrong / I just need one more…”).

Be sure to catch the Killers on the Wonderful Wonderful tour- http://www.thekillerstickets.com/?gclid=EAIaIQobChMIzsyDgMeW1wIVXJ7ACh2ZYgawEAAYASAAEgLsVfD_BwE

 

Check out the album-

Spotify-

https://open.spotify.com/album/5TMnKX3SaYXgYsmFuH8mxB

Apple Music-

https://itunes.apple.com/us/album/wonderful-wonderful-deluxe/id1263608918

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